Yes, it's unquestionably a classic, with Kurosawa setting the standard for and inspiring many future filmmakers (as usual) with his filmic techniques and storytelling. The stark black and white imagery, textural costumes, attention to weather, and grandiose landscapes make for a visually stunning film. And yes, Mifune is AWESOME as the weird Kikuchiyo, at times goofy with his kabuki face-making and at others intensely serious and tragic. I also loved Takashi Shimura as the leader of the samurai, though unfortunately he doesn't get much development and spends most of the second half plotting battles. The story is simple but engaging, bringing together a range of characters and exploring certain moral attitudes amongst the violent skirmishes. I was a little confused by some of the Japanese traditional stuff, but did my best to recall the multiple Japanese history/culture courses I took in college to pull me through.
Ok so here's where we get to the less complimentary part. I mentioned it's too bad that Takashi Shimura's potentially interesting character doesn't really get much development? Well that's basically a description of every person in this movie with the exception of Kikuchiyo. There's a wealth of intriguing and complex characters here, I know it, but few of them actually get to share their stories or show more of themselves. What's the deal with Kyûzô? He's a badass motherfucker who speaks very little and gets about three scenes. I wanted more! Most of the film focuses on working together as a group (no surprise there), but it seemed like some characters were being set up for more development, and then just fizzled out, so I was disappointed.
And what the hell was with the forced romantic subplot? I found Katsushirô an almost laughable character because he was pretty useless and childlike (despite seeming at least 18), and his "relationship" with pretty farmer's daughter Shino is irrelevant and uninteresting. I know it eventually demonstrated how strict the class system in Japan was, but it was done poorly and cut off weirdly from the main narrative. They barely even spoke to one another. Also I was pretty sure Katsushirô actually wanted to date Kyûzô, so I wasn't believing his love for Shino. I will demonstrate this theory further in my Seven Samurai slash fanfiction.
Anyway, my basic issue with this movie is that it really does not justify its length. It's not that it bores or drags- I enjoyed most scenes very much- it's just that it could have so easily been an hour shorter. The story isn't complex, there isn't much deep character analysis or weighty dialogue; I could totally understand the 3.5 hour runtime if we were given more insight into more of the characters, or if the plot was more involved. It just all seems a little self-indulgent to me.
So, Seven Samurai. An Important Movie. I liked it, I really did. It's got terrific performances, gorgeous visuals, and a good story with surprisingly emotional resonance. I just wish it was either shorter or had more developed characters and relationships.
4/5
Pair This Movie With: Oh jeez, just take a break after this one. Go outside. Eat something. Water your plants. Paint. Re-organize your stamp collection. Definitely go to the bathroom. If you still really want to sit through another movie (and bless you for it), I think a more stylized and fast-paced period Japanese action flick might be a good juxtaposition with Seven Samurai's more leisurely pace and realism.
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